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Stadiums and Shrines with Sutton

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MGMT “Find Some Models for Wives” @ Billabong’s Design For Humanity [LA 06/04/08]

 

A sold out Avalon Hollywood was filled with about 1500 surf fashion people for the 2nd Annual Design for Humanity Wednesday night. It was as swanky as surf industry stuff gets (I’m assuming with the red carpet and all).  A former Billabong person, Kati, was nice enough to bring me along. We’re borderline MGMT groupies at this point.

The drinks were flowing, some sweet art was displaying, DJ Steve Aoki was spinning, and it was all supporting the Surfrider Foundation. And the runway show was nice.

Walking up to the stage was way too easy. I had planned on hanging back but this opening was hard to pass up. When the band started sound checking from behind the curtain, people finally took the cue and everything got a little more
normal.

“Weekend Wars”, lead into the familiar set that was seen at Coachella. The one that makes you earn it. See on casual listen, Oracular Spectacular is incredibly front-loaded with pop songs and then goes into a more rolling, psychedelic production. When performed the order is basically reversed, going through the second half of the album, first. In other words, they save “Electric Feel”, “Time To Pretend”, and “Kids” to the very end. Might I suggest picking one of those three to open, just to get the crowd into it? But their system still works as the crowd is rewarded for waiting every time. And I’ll add that the opening songs are not duds, they’re just not as fun.  “Pieces of What”, “4th Dimensional Transition”, and “The Handshake” have all gotten better live. If their next album sounds more like these instead of chasing another anthem, I might actually dig it more.

I hardly looked up from my dancing at Coachella, so this time around I was the guy standing completely still with a camera. My videos reflect this:

"Electric Feel" 

and also "Time To Pretend"

For the “Kids” finale, dreamboat Andrew VanWynGarden changed from his Kurt Cobain dress to a George Clinton poncho. A bit out of his past shy character, he grabbed drinks from the crowd among other objects (glasses, bras).

 

Security didn’t stop people from getting up there. Two dudes actually stage dived, one failing miserably, and the other faring better (way to go Action Jackson!).

I could say much more about MGMT. Their rise to fame shows that, yes, bands are gaining popularity through different avenues these days, but, major labels still make this all happen much faster.  In less than a year, they can go from “new band watch in 2008” to a massively embraced hit record, to a “guilty pleasure.”  Forgive me for romanticizing when I talk about these guys, but there is something to them that’s so likable (and inevitably unlikable). And I refuse to succumb to a backlash. They have a couple of exceptional songs that make you feel good. It helps that they have the right style, the right visuals, and the right looks to boot. They sing songs about pretending to be rock stars, which are quickly becoming self-fulfilling prophecies. 

Rarely do the pics come out this decent, so here's more:


 

Oh right. The models...

 

Published Friday, June 06, 2008 3:43 PM by Sutton

Comments

 

make a model said:

June 10, 2008 2:00 PM
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About Sutton

"This is a friendly music blog from 'that dude that always gets too excited about music and needs tell you about it.' From festival recaps to album hype, he coats it all with your average pop culture-junkie appeal. He's an enthusiast (not an insider) offering a resource for anything buzzworthy." I grew up in NH, did college in Boston, and am having anxiety attacks/sunshine/and professional life in California. Every moment in the journey can be pinpointed and timelined by the particular music I was into at the time. Everyone has a life soundtrack. I talk about mine endlessly. The Objective: At an important crossroads in my blogging here. Is it dangerous to ask for so much from music? Is it healthy to evoke personal ties with the creations of artists who don't know us and perhaps have no intention of us reading into their art in the fashion we do? I would argue that it's not dangerous or wrong, but this is where I must be clear; these are not my discoveries nor would I ever write in a way to claim ownership for them. For example, if a band is the catalyst for "the finest moment in my own collegiate musical exploration/explosion", than that does not make them my band or make me any more informed anyone else. My hope for this outlet is not to present myself as an overwhelming snapshot of indie crap that you look at and say "hmm, he's really into that", but rather the idea is to spread the word, the love, the information, the music!; the overall feeling you get when you declare "i like this band" in other words, i'd love to be a resource in your own explosion time-line. and if we are surfing the same wave of taste, then I welcome discussion and new leads into what you think we could dig together.

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